every now and then, a record comes along…this is one of those occasions. but...it is not any old record, it is a new one. specifically, the new 12inch single from sundown drive, brought to you by mind fair and rogue cat sounds. moving on from the body and soul that embodied their first trip, sd transcend you to the annals of deep clubland and melodically twist your heart strings with an early morning flutter and a tantric tension. the meandering-yet-purposeful piano finding its feet later in the proceedings this time, but rising to full effect, leaving only the dub to knock us sideways into a beautifully-simplistic dark alley of spring reverbs, synthesized prophecy and the voices in ya head telling you to give it up.

ltd 180gr vinyl repress
after their hot contributions for treats vol. 2, session victim prove indeed that they are on the roll with a funkafied and no holds barred ep that pays homage to their hip-hop roots. move me so starts rather simply, with just a guitar and a vocal, but you can hear a moving bassline and distant rhodes chords creeping up from the background. two minutes into the track and theres still no kick drum, although the level of excitement produced by the magnetic groove is almost unbearable. a filtered drum break finally gives way to a four to the floor beat that should turn any dancefloor into a frenetic party. the track builds with high energy, as the pounding bassline seems to be directly lifted from an early 90s hip-hop classic. the breakdown sees the vocal/guitar loop being played differently until the second part shifts gear and brings more surprises in the mix with the intro rhodes chords coming in and out.

must is pure sonic architecture that breathes and sweats, this is how asphalt and steel sounds in contact with rain and sun. the hunch synthetic of pablo bolivars interlinings, reaches in must a degree of warmth and unpublished maturity. oblivious to this musician modes and contemporary fashions, he deliver the album he always wanted to do. idm, deep house, soulfull and sunny electronics designed and crafted with the meticulousness of a goldsmith. songs as sophisticated as friendly, loved but without raising fears. never bolivar has been as musical as now, delight and enjoyment in each beat. that is must, an album to listen carefully.
comes with code for free digital download of the full album.

humans are an abstraction of animal life form – and this is their soundtrack. on the first release monomood shows some light. but the light is pulsating in stroboscopic rhythms and enlightens shadows of moving creatures locked into a murky basement. if this is too disturbing for you, the well known grounded theory mastermind henning baer slows down the frequency to turn the raging floor into a dark moving mass hypnosis. after that you can recognize some dark scientists are brewing a fascinating cocktail out of boiling bass anddistorted sounds capes. drink it and you will know!

superb reissue of ron trent s all-time deep techno classic altered states. made when he was still school-age, and released in 1990 on armandos seminal warehouse label, this record was an immediate underground club hit, turning ron into a local hero, kickstarting his hugely successful production and djing career and making him probably the only chicago house producer to rate one of the best techno singles of all time! this classic acid workout is stunning in its simplicity and has been described as one of the most perfect and moving tracks ever heard. the other tracks are also very beautiful in their own right despite having been overshadowed by the epic altered states - the afterlife was included on dj hells x-mix-5. all tracks digitally remastered for superb sound quality

inspired by torontos blue jays, maple leafs, the cn tower, 100% pure label boss 2000 and one proudly presents new ep out may 27. 1984 synth pop mix of bart skilss midnight moving on the flip. support from richie hawtin, dubfire, monika kruse, seth troxler, anja schneider

terrific release by modular synths man hash! 4 x 100% pure analog bombs amazingly produced moving forward from finest minimal techno a la robert hood to more modern cynematic and experimental rotative productions.
two of the tracks are revisited by label boss corcos, on his techno vest and ennio colaci, both the men behind minimono project. hask aka daniele de rossi has already released on cult electronic music labels like irma and minus habens records ... he is an experienced producer and this is his techno output.

with local talk release no. 30 we are moving further into territories of straight up no fuss dance floor action. already having releases on dirt crew recordings, murmur & hypercolour elef knows a thing or two about delivering jacking tracks. wake up call comes in two versions. the original version is a kick & snare pattern driven monster track with heavy arpeggios and deep pads. on the flip brennan green doesnt hold back either. the main melodic pattern together with percussions is unleashed straight on and as the tracks evolves he adds tr-303 lines making the track even more epic. as elef described the remix as perfect for a panorama bar set. the remix is worthy enough based on that one side alone.

having first hit the scene 15 years ago with night over manaus, boozoo bajou have since gone on to release 3 critically acclaimed albums on !k7 and stereo deluxe, working with the likes of legendary drummer tony allen and soul legend willie hutch and remixing. common and tosca along the way. stepping up for their debut release on apollo records, the nuremberg duo of peter heider and florian seyberth have put together a stunning four track ep that draws on their considerable history while simultaneously moving their sound forward.

founding sound traveller dj patrique collaborates with clarence on one track to be released on the vinyl edition only. clarence brandon is obviously inspired by the detroit heritage as all tracks bear the soul of this influential city. by using an uplifting track build-up, forward moving rhythms and inspiring melodies, all tracks are well suited for the lovers of fine techno and house. gracefully placing subtle sounds but never loosing sight of the dance floor, clarence diligently produced the first ever physical sound travels release.

chicagos own boogie nite drops his 2nd 12 inch on glenview and it is a stunner. 4 cuts all guaranteed to get the dancefloor moving: love u (a bangin disco houser), everything good 2 ya (a slow superfly-tastic jam), free 2013 (a soaring jazz tinged house groover-awesome!) and dat boy again (a punchy disco cut).

gosub returns to abstract forms with a six track transmission. mirror watcher is a kaleidoscopic serve of elektroid attitude. starting with the title track, a futuristic piece of synth-funk with a brilliantly sleazy vocal, immediately moving into deep aquatic territory, then building the pace back up for the encore of freaky fast paced electro. sublime. vinyl limited to 250 copies.

few people stand for a real underground approach to techno like adam x does. for over 20 years he has been right in the center of the scene. before moving to berlin he ran the sonic groove record shop in nyc for 15 years. the sonic groove label also owned by adam is still a dominating force in the scene and has released music of legends like abe duque, blake baxter, frankie bones, kevin saunderson and many more. with djing, producing music adam in recent years has received a lot of support from people like chris liebing and many others for his productions as adam x as well as for his aliases traversable wormhole, admx-71.adam’s sound is dark and heavily influenced by his passion for industrial and old school ebm music. with coercive persuasion on the a-side he combines these influences with a functionality that can only derive from his extensive touring as a dj and live act. it is a dark anthem that will destroy all real techno floors. no doubt. the b-side deprogramming sequence comes along with driving bells that give the stomping beat of the track a little uplift and therewith balances out the heavy dark side of the ep.

so, here we are at loch lomonds fourth album, dresses, and its a spectacular, moving piece of work. employing piano, cello, flugelhorn, vibraphone, dulcimer, banjo, belle plates and, perhaps most affectingly of all, some dazzling choral arrangements, dresses can be remarkably understated for an album flushed with so many orchestral characteristics

when thomas lauren came to us with his new techno project qindek, we were instantly intrigued. qindek sees thomas moving away from his melodic background into uncharted abstract territories, without losing the warmth and depth

the debut ep from sonns (la based producer alexandre mouracade of split secs) is a soulful vocal dance track with hypnotic vocals and funky bass. mark e does a deep steel drum driven interpretation. b/w the party track starts tonight (vocal & dub mixes) sure to get the floor moving.

combining his heart-piercing songwriter side with a skyscraper of soaring electronics , he takes the listener surfing on an emotional sine wave, an electronic soul testament that earmarks him out as the successor to the thrones long since vacated by massive attack and the aphex twin... two years after his debut album took uk bass culture down previously unimagined roads of introspection, james blake returns with the epic * overgrown*, an incredible album that sees james growing as a singer and songwriter while at the same time returning to the brain melting electronic perfection of his early releases on hemlock and hessle, moving way beyond any post-dubstep pigeonholes to include stunning reinterpretations of both hip-hop and house

reverence paying homage to the beloved underground, a prime collective of neo-electronic architects spawn a quintessential four track vanguard. the greatest by drivetrain (detroit, usa) begins gritty and minimal, blossoming into a spectral orchestration of refined vocal samples fused with melodic pads and acid bleeps. the heavy bass line and pounding rhythm keep it moving mercilessly. cloudmaster weed (meaux, fra) utilizes the vocal stylings of goddess stephanie on the raw and sultry >sweet & delicious<. the seductive groove lays the perfect groundwork for a goddess to dream on some of her favorite pleasures. rennie foster (vancouver, can) makes a strong return to soiree with the prolific, deep-tech, > low boxing<. a clever amalgamation of silky vocal samples dropping amidst heavy syncopated acid. lush pads provide the final polishing. j.garcias (detroit, usa) >lost< serves a commanding conclusion. the throbbing rhythm drives alluring female vocal samples thru an infectious late night sizzler. reverence – an absolute and authoritative tribute

slamming four track ep with strong tech house tracks, tipp

dj spoko was born marvin ramalepe, raised in the rural town of tzaneen in northern south africa, where he says there was no first or third class—all the same. he started producing on a pc at age 12, after moving with his brother kelly rams ramalepe to atteridgeville, a 99%-black township outside the mostly white city of pretoria – to find their father. they lived in an area called ghost town, near atteridgeville s cemetery, where as the neighborhood s premiere producer, young spoko earned the nickname ghost. the title of his new ghost town ep

phat nice price action , last copies left
two infectious and forward moving house tracks by vigo. cool!!

ltd 200 copies! focused in the rhythm a new sound is coming. minds kept frozen, heads moving up and down confused into the smoke. time has stopped. music as nexus. expand our doctrine.

limited repress edition. due to crazy high demand.one off repress with a printed label. two dusty d.i.y. straight to tape house jams from brooklyns lowlands, by basement producer terekke. music for those unending summer days spent in a sticky smoke-filled haze. over saturated house energy meets voices of paranoia while shifting juno chord changes and a dirtbag 707 drums keep things moving.check!

big riddim recordings was created in 2008 by ak1200, who had previously worked with well known uk drum and bass labels, suburban base and moving shadow. the label started out as a platform for ak to continue with his quest of discovering new talent and promoting the sounds of dnb to anyone within reach.

fold cut his production teeth as one-half of the much lauded london deep house outfit homepark. his first solo release to date, this ep reflects folds extensive knowledge of house and feeling for the dancefloor. a-side slime perfectly fuses driving staccato percussion with classic deep house warmth. moving patterns is a more laidback affair combining soaring vocals with an irresistible bassline that harks back to the early days of jungle. the ep is a given a special twist by an unforgettable technofied remix of slime from fellow londoner ethyl.

macchina nera an mysterious alpine character already gave a guest appearance at pam 15.5 besides the label boss anette party. now it is his turn to rev up. and you just hold his debut ep in your hand.
here the super chef mixes up what came under his nose in the last decades. house tunes, a sirens voice that even would have made good old sylvester jealous together with an ass moving groove that bring every epic-o-meter to explosion. the essence unveils the pure sou of this exceptional talent. full of love turned it all pastamusik co-workers to little creatures floating through the office on hand made hearts. macchina nera is a well known old stager in his hometown who represents the munich lifestyle and joy as (almost) no other. but – this is only the beginning. s o o n we wll be back to release a of full album of this gem-artist as well as a number of remixes suitable for all (s) ex positions. remember his name!

new rick wade 12inch, containing 4 deep house tracks!

once again labelheads andré galluzzi & dana ruh teamed up at the studios for one long session and born was this art of peaktime attack! front side is a 10 minute heavy bass bomb filled with danas understanding for subtile things and andrés love for freaky details. flip side comes with well arranged drums and shaking percussions for moving your butts on the floor.

the e.p kicks off with she can dance, a slow burning acid number that has elements of deep, grooving house from the detroit school. in fact, the second cut low control bares the influence of detroit too, with its murky, dubbed-out chords ala luke hess moving into a punchy bassline with minimal but functional drum patterns. proceedings get a bit more bouncy on the smoking hat, a quirky acid romp on the less daft side of ceephax, and the perfect soundtrack to accompany a feature-length documentary about.... a smoking hat. finishing up the e.p is fudge fingas remix of low control, the only man qualified to make an already deep as fuck track even deeper. theres been some on-point criticisms about a lot recent deep stuff getting lost in noodly jazz territory, but we are in no danger of that nonsense with fudge fingas at the controls: accomplished a musician he may be, hes never been one to lose the way, and this mix proves his deft and subtle remix talents. dabj done done it again, and hopefully this is the first in a long line of productions from vernon.

detroit veteran len bartush (mutate) returns to advance the series that began with the now classic circle 1. a full round kick and jack style upbeats are all that is necessary to support the deep, modulated synth lines that travel through lush plates of reverb. alberto pascual hits a homerun with his remix that will move any club, festival, or warehouse party. project 313s remix supplies moving synth lines are stripped down and replaced with driving rhythms and pulsating bass making this a superb techno offering. the plankton remix turns up the tension with warehouse style percussion and intertwining rhythms complimented by science- fictionesque stabs and pounding bass. the >circle 2< ep is an essential piece of detroit minimalism.

moving into 2013, the hot creations camp shows no sign of slowing down with one of their biggest releases to date from the mighty production duo benoit & sergio. debut release on the label bridge so far is an utterly stunning two tracker oozing distinctive style and pop sensibility.

after 21 releases and covering most areas of house its time to introduce anaxander and present a new sound to the ever growing local talk catalogue. the a side antionette is a perfect electronic influenced body-locking flavored track, an organ alongside a bouncing bass and a rhythmic feel is sometimes all you need to get moving ! its the b-side that really take things to the next level. anaxander both puts his own clever stamp on these two tracks and delivers acid in the old, vintage sense that owes more to the raw and unpolished club tracks played by ron hardy at music box than to the old school house vibes you have expected from local talk. both cat feeding and i want you now are two tracks of a new era of local talk. innovating, futuristic and original produced electronic analogue funk for 2012

phoenix g. ferm and deep kickdrums that are being accompanied by lengthy chords and a frequently return male vocal that states, bounce. all and all this is the dancefloor music we are used to from mr.g. the a2 brings a more technoish vibe to dance to. this fits perfect in the modern trend of bass producers turning techno. while of course g is somewhat more of a legend and he didnt just turn to this type of music recently. it does proove that he is still abel to catch any kind of vibe to get the people moving. on the b1 we find a ben sims remix. which of course is enough said. mr sims turns the a2 original into an absolute floor wrecker.

uncanny valley introduces the next artist from the uv010 compilation with his solo debut. this time its scherbe and his jardin du midi-ep!

john daly dropping a monster track on his own 1track records! moving away from the previous deeper and chicago rooted tracks on the label he drops a massive peak time house track with massive chords and a pulsating sub baseline. flipside has a more stripped and dubby pandora box remix... difficult to pick a favorite!!

lowriders is back after a well deserved summer break and the massiv doshy release. aleph, russian youngster, ivan erofeev, who has travelled form siberia via omsk to st. petersburg delivers a fab ep moving between styles. it is a bit house, some boogie flares, it is crooked as a hoop but for most fresh. aleph released on the great canadian label king deluxe two acclaimed digital eps with a big remix from distal on the last one. limited release of 200 numbered copies.

burkhardts latest stroke, including the hit delight. now we are back again with a charming selection of remixes, including work by tobi neumann and julien veniel aka djulz. tobi neumanns remix reminds the attentive listener to the old days of oslo. it is so to speak on the point. its light, but still complex in a special way. tobi carefully unhinged the catchy vocals of delight, added it at some points and put his glance over it. the b-side is home to djulzs interpretation of pianissimo. a dark and powerful house track, that finds its glory in its simplicity. a subtle piano sample is the basis for a forward moving drum pattern. here and there an eerie vocal shot rises and guides the dancer through the musical mind of djulz.

the >just for fun< ep starts with the title track just4fun, which in fact breathes fun and doesnt take itself too seriously. the funky and highly infectious keys and the butt shaking groove will remind you of a track that moodymann never made, but wishes he had. next comes unlimited01 with a joyful piano melody that would fit right into a french disco with a funkier version of alain delon behind the decks. still, the rhodes chords, the slow sexy groove, the vocal hooks will get you moving in no time. thang then goes into a more detroit beatdown direction with its deep chords and smooth pads. it creates a mellow atmosphere with an almost relaxed summer feeling. this is what a funky pimp would listen to on a night car drive. the ep ends with spiritual almost tribal rhythms. inspiration would be a nice soundtrack to a 70s orgy orchestrated by a groovy guru, surrounded by a magical circle of mystical dancers. over the top? sure, but the track would certainly get this party going.

we give a warm and greeting welcome to a new addition for our artist family to thomas hock aka bait and switch from bad nauheim ! his first ep for afu limited contains three powerful tunes with ass moving guaranty ! the title track combines a killer groove, dark voices and a furious groovin synthli...

three cities, three artists, three definitions of modern deephousemusic. fm delivers a great journey for all deephouse lovers out there. helly larson are known for his awesome releases on labels like plastic city, acryl, shayan music, lucidflow and many more. here he comes with a truly deep-tech monster. cassique still run his own net-label supafeed. his percussive hypnotic track >deepware< offers a catchy vocal lines to let the crowd moving. marc cotterell still have released on soul industries, peng, deep pressure music, um records and more. he bring us a sweet and soulful track with an incredible sax line, played by jonny vasquez.

vidab keeps on its quest of finding and releasing new and raw music. the 16th vinyl release of the berlin based label, comes from milans privat residents hiver with their debut production titled >a day< ep. hivers musical spectrum contains dark and distant elements, ranging from the darkest rhythms of dub-techno to melodic capturing lines. this can be evident in the two tracks on this single >a day< and >reduced< which convey their club experiences of moving a dancefloor in one solid package.

pulse locker refers to the analog method of synching analog modular instruments and drum machines, a method of working john tejada & josh humphrey have embraced to generate their trademark sounds and grooves. preferring to work away from the computer as much as possible, john and josh have adapted a more old school approach to their work, syncing analog gear together, not from a computer, but the way it was synced back in the day. the results are a tight, organic analog sound showcased particularly by the 2nd track >bifur gates<. with a tr-808 as master clock, syncing the modular system, the sound takes you back to the mid 90s era of techno. real 808 beats, punchy bass and an ever so shifting classic chord line will leave you lingering for the days of old. on the a side, >pulse locker< with its big and warm groove, gets things moving with a blend of house and techno. rounding out the ep, >unanimous arc< showcases the mad acid sounds possible on the sh-101 while modular chords elevate the track to a manic pace. >pulse locker< marks the duos third collaboration on palette recordings.

tm404 is a new concept from analogue mastermind andreas tilliander aka mokira (kontra-musik, raster-noton, type). tm404 uses a multiple set up of the classic roland machines tb-303, tb-606 and mc-202 to create a mesmerizing acidic techno-drone. tm404 will release a full-length album on kontra-musik in late january and we are very much looking forward. but before that we have another great release to present. kontra-musik 028 is by far our most radical release on so far. this is dance music really pushed the limit. what you are about to hear is the result of morphosis (morphine records) remixing tm404 using his favorite korg machines – the ms20 and the sq10. rabihs own words on the music: quite challenging and not really ordinary dance music. i believe in moving forward with things, with whatever chances and possibilities i have, it is my contribution to this world.

nice price deal !!! after the massive big bad and heavy, savage rehab 360 degree ep, dj chaps inna streets and a wealth of other releases, the v camp continue to keep things moving with this stellar does not compute release.
a brand new act, does not compute lean towards the classic sounds of old - but with first rate production that is very much cutting edge. invoking the underground sounds first pioneered on v by the likes of artificial intelligence, does not compute are a breath of fresh air for the dnb scene.

developer has gained quite the reputation for delivering great functional raw techno made for the the club and the warehouse and this one is no exception! easily another huge release on his personal project developer archive. four strong recordings that that cater to those that want that funky dirty element to their sets developer definitely keeps things moving, this is why developers tracks have gained so much acclaim. dont sleep on this one!

with influences ranging from breakcore and jungle to techno and electronica, their sound is just as far-reaching with organic sample-based productions and synthetic, processed electronic beats. lakkers torann ep, their second release for blueprint, kick-starts with the dappling beats of summer rains, before moving onto the more experimental mustard crying. ciar takes us back to the dancefloor with ominous undertones, while static & amp is a simple but effective exercise. finally the diminutive but meticulous one note caps the ep off in fine lakker style.

nice price deal !!! previously sold as separate 12inch, but now combined into one blistering ep for the true music lovers!

next up on rompecabeza we delve into the world of techno again, with a powerful and melodic release from producer dave shokh. danceable tracks, full of emotions and superhuman excellence, keep everyone moving.

nice price deal !!! already receiving support by soul clap, mosca, lee curtiss, laurent garnier, axel boman, catz ndogz, jimpster and many, many more!